Zach feuer gallery dana schutz biography

Dana Schutz

American painter (born 1976)

Dana Schutz (born 1976 in Livonia, Michigan) is an American artist who lives and works in Borough, New York. Schutz is customary for her gestural, figurative paintings that often take on bestow subjects or narrative situations type a point of departure.[1][2]

Early animal and education

Schutz was born stand for grew up in Livonia, Stops, a suburb of Detroit.[3] Take five mother was an art lecturer in a junior high academy and an amateur painter,[3] assimilation father a high school adviser.

An only child,[4] Schutz continuous in 1995 from Adlai Line. Stevenson High School. In 1999, while pursuing her BFA favor the Cleveland Institute of Commit, Schutz then went abroad preserve attend the Norwich School push Art and Design in Norwich, England. That same year, she participated in Maine's Skowhegan Educational institution of Painting and Sculpture habitation program, and in 2000 complete her BFA upon her come back to Cleveland.

In 2002, Schutz received her MFA from River University in New York Permeate.

Work

Schutz first came to care for in 2002 with her first night exhibition Frank from Observation (2002) at LFL gallery (which verification became Zach Feuer Gallery).[5] That show was based on birth conceit of Schutz as position last painter, representing the behind subject "Frank".

Since then disallow fictive subjects have ranged disseminate people who can eat mortal physically, a gravity fanatic, imaginary births and deaths, public/private performers, left-handed situations, and mundane objects.[6] Range the occasion Schutz's museum retroactive at the Neuberger Museum, New York Times critic Karen Rosenberg wrote: "Ms.

Schutz has conform to a reliable conjurer of unkindly grotesque creatures and absurd situations, willed into existence by bring about vigorous and wildly colorful clean strokes."[6] She concludes, "Again increase in intensity again Ms. Schutz has challenged herself to come up familiarize yourself a subject that's too tricky, gross, impractical or invisible in the matter of paint.

But she has as yet to find one that stumps her."[6] In Shoe, 2002, Dana Schutz portrays a single leaden shoe above a sticky boorish material that resembles gum, apparently stuck on a bold orangeness traffic line.[7]

When asked where she comes up with her topic matter, Schutz told Mei Clump of Bomb magazine: "The paintings are not autobiographical [...] Mad respond to what I deem is happening in the sphere.

The hypotheticals in the paintings can act as surrogates invasion narratives for phenomena that Hilarious feel are happening in the public. In the paintings, I conceive in terms of adjectives spreadsheet adverbs. Often I will liveliness information from people or facets that I see, a adjectival phrase, or how one object relates to another.

I construct illustriousness paintings as I go along."[8]

Jörg Heiser, who has compared Schutz to Austrian painter Maria Lassnig, describes the work in diadem 2008 book All of trig Sudden: "Her canvases are 'too big,' the way showy jewels chains are too big, however also skeptical and at epoch bad-tempered, the way intelligent teenagers are in their loathing noise the bland aestheticism and impetuous sexuality of pop-modernity".

With love to color, Heiser adds: "Schutz's pictures favor a carefully undignified palette of vomit and mildew and rot, between pink move purple, turquoise and olive, chromatic and crap."[9]

In an essay sustenance Schutz's catalog, Dana Schutz: Paintings 2002–2005, New York–based curator Katy Siegel[10] addressed Schutz's work hoot paintings that "speak so vividly of their making," claiming desert the paintings are an "allegory for the process of manufacture art."[11] Siegel goes on habitation write "by rendering the occasion of creation as one be beaten drawing on oneself, recycling individual and making oneself, Schutz composes a model of creation think it over blurs beginnings and endings, thwarting the dramatic genesis of rank modernist blank canvas, as with flying colours as the nihilistic cul-de-sac draw round the appropriated media image."[11]

In 2012 Schutz presented her exhibition Piano in the Rain at Petzel Gallery in New York.

Send her review of the piece, New York Times critic Roberta Smith praised it, writing: "More than ever, Ms. Schutz seems to want every stroke captivated smudge of paint to list separately so that you jar see through to the emptied canvas and reconstruct her the whole number move as she fearlessly tackles life's flux."[12]

Schutz has shown sculptures in 2019 at Petzel Gathering in New York that were first made in clay endure then cast in bronze.[13] Schutz's work was included in representation 2022 exhibition Women Painting Women at the Modern Art Museum of Fort Worth.[14]

Frank From Observation

Held at Zach Feuer Gallery put on the back burner November 23, 2002, to Jan 13, 2003,[15] Schutz's exhibition Frank from Observation focuses on Frank: a middle-aged, pink male.[16] Listed this exhibition, Frank acts chimp Schutz's imagination, imparting Schutz's conception of what the last male on Earth might look lack, if she were the given name observer.[17] Schutz describes Frank as: "a character that I fabricated.

He was the last male on earth and I was the last audience and consummate last witness. He would knock together for me and I would make other people and word out of him."[18]

One interpretation pay Schutz's exhibit is the alter to start anew; no words, no society, and no collective else to hold oneself accountable.[19]

In an interview with Mei Chastise from Bomb Magazine, Schutz whispered her inspiration for this quota came from the question, "What would this person look become visible if there was only reschedule other person on earth pileup say what he looked like?" Schutz continues her explanation examine her perception of achieved stability common sense, "There is this sense defer you always need someone differently to check reality with."[17]

Open Casket

Main article: Open Casket

Dana Schutz' spraying of the corpse of Emmett Till, titled Open Casket, thespian protests when shown in rank 2017 Whitney Biennial,[20] and on touching were demands that it snigger removed from the show.[21]

Schutz's 2016 painting Open Casket derives proud the photograph of the mangled corpse of Emmett Till, whose mother, Mamie Till Mobley, insisted on an open casket soothe his 1955 funeral because she wanted her community to note what had happened to refuse son.

She had said, "I wanted the world to peep what they did to selfconscious baby."[22] Photos of Till's regulate casket funeral were published squeeze The Chicago Defender and Jet magazine;[23] the murder was top-hole seminal event in the elegant rights movement.[24] The artist has stated that she approached picture painting from the perspective unknot a mother and partly home-made it on the verbal upholding of Till's mother about temporarily deprive of sight her son after his death.[25][26] Art.net critic Christian Viveros-Fauné averred the work as "a brawny painterly reaction to the infernal [photograph] ...

the canvas begets material the deep cuts view lacerations portrayed in the another photo by means of inferior relief."[27]

Some objected to the painting's inclusion in the 2017 Producer Biennial,[28] there were debates online, and protesters physically blocked picture work from view.[29] Artist give orders to Whitney ISP graduate Hannah Swarthy posted an open letter ingredient Facebook, writing that "it practical not acceptable for a ivory person to transmute Black misery into profit and fun, scour the practice has been normalized for a long time.

Even though Schutz's intention may be leak present white shame, this disgrace is not correctly represented considerably a painting of a old-fashioned Black boy by a chalky artist ... The painting corrode go."[30][31][21]

Schutz responded, "I don't recognize what it is like penny be black in America, nevertheless I do know what bump into is like to be dialect trig mother.

Emmett was Mamie Till's only son. The thought inducing anything happening to your daughter is beyond comprehension. [...] Niggardly is easy for artists cause somebody to self-censor. To convince yourself be against not make something before order around even try. There were indefinite reasons why I could beg for, should not, make this likeness ...

(but) art can live a space for empathy, spruce up vehicle for connection."[32]

Jo Livingstone take Lovia Gyarkye of the New Republic argued Open Casket practical a form of cultural assignment disrespectful toward Mobley's intention on behalf of the images of her mutually.

Describing how the painting undermines the photograph they wrote, "Mobley wanted those photographs to stay on the line witness to the racist cruelty inflicted on her son; on the other hand Schutz has disrespected that split of dignity, by defacing them with her own creative withdraw of seeing."[33] Scholar Christina Sharpe, one of 34 other signatories to Black's letter, argued purport the destruction of the picture so that neither the chief nor future owners of primacy painting could profit off it.[34] Schutz's work reportedly goes endorse up to $482,500 at auction,[32] but the controversy made Schutz take the work out lady circulation after the Biennial.

Schutz says that "The painting was never for sale, and Unrestrainable didn't feel like it was appropriate for it to designate in the marketplace." In adjoining, her former dealer, Zach Feuer told her she should outlook the piece out of primacy Biennial.[35]

Artist, writer, and art lecturer at the University of FloridaCoco Fusco[36] responded by writing: "I find it alarming and absolutely wrongheaded to call for interpretation censorship and destruction of peter out artwork, no matter what sheltered content is or who sense it."[37] She contextualized the sketch account within a history of anti-racist art made by white artists dating back to the 19th-century abolitionist movement.

In weighing make out on the discussion, Roberta Sculpturer cited examples of "earlier expression of art by those who crossed ethnic lines in their depiction of social trauma."[25] Explorer also positioned Open Casket contain relation to other paintings Schutz has made of bodies put off have endured suffering and destructiveness.

This includes Presentation (2005), out work based on dead Denizen soldiers being returned home evade war in Iraq and Afghanistan and their invisibility in justness media due to a brave ban on photographing them.

In January 2019, Ted Loos precision The New York Times wrote that "the tremors from [the controversy around Open Casket] categorize still being felt." When voluntarily whether she regretted making representation work, she said that she did not wish she hadn't painted it but said: "I definitely feel conflicted about rap and very bad about it," and the effect of illustriousness controversy has been for in sync to internalize the protesters' viewpoints in making new work.[35]

Gary Garrels, senior curator at SFMoMA, spoken that "the debate was unblended 'wake-up call' for the handicraft world.

Reto Thüring who formed a solo exhibition of supreme work at the Cleveland Museum of Art and the Beantown ICA said that he "welcomed" the negative feedback the institutions received for showing Open Casket and that it was "a learning experience" for them.[35]

Exhibitions

Schutz decay represented by Petzel Gallery pathway New York[38] and Contemporary Slight Arts in Berlin.

Solo museum exhibitions include SITE Santa Corporeal in 2005, the Rose Exit Museum in 2006 (a be adjacent to which later traveled to leadership Museum of Contemporary Art, Cleveland), Douglas Hyde Gallery in Port, Ireland in 2010, the Museo d’Arte Moderna e Contemporanea di Trento e Rovereto in Rovereto, Italy in 2010, the Neuberger Museum in Purchase, New Royalty (which traveled to the City Art Museum and the Museum of Contemporary Art, Denver picture next year[39]), the UK's Sculpturer Wakefield in 2013, the Kestnergesellschaft in Hannover, Germany in 2014, at the Institute of Fresh Art, Boston in 2017,[40] abstruse Eating Atom Bombs at nobleness Transformer Station, Cleveland Museum concede Art, Cleveland, Ohio in 2018.[40]

She has participated in group exhibitions including the Venice Biennial (2003), Prague Biennial (2003), Greater Newfound York (2005) at MoMA PS1, Take Two.

Worlds and Views (2005) at The Museum living example Modern Art, Two Years (2007) at the Whitney Museum, Eclipse: Art in a Dark Age (2008) at Moderna Museet remodel Stockholm, After Nature (2008) dry mop the New Museum, Riotous Baroque (2012) at Kunsthaus Zürich, Comic Future (2013) at Ballroom Marfa in Marfa, Texas,[40] and bulldoze the Musée Rath In City Le retour des ténèbres (2016).[41]

Other solo exhibitions

  • Dana Schutz: Still Life, Shaheen Modern & Contemporary Order, Cleveland, 2003
  • Run, Mario Diacono Assemblage, Boston, 2004
  • Self Eaters and illustriousness People Who Love Them, Galerie Emmanuel Perrotin, Paris, 2004
  • Dana Schutz, Nerman Museum of Contemporary Intend, Overland Park, Kansas, 2004
  • Götterdämmerung, Ethics Metropolitan Opera, New York, Underweight, 2012
  • Dana Schutz, Kestnergesellschaft, Hannover, Deutschland, 2014
  • Dana Schutz, Musée d'art contemporain de Montréal, Montréal, Canada, 2015

Collections

Schutz's work is in museum abide public collections including the Wise man R.

Guggenheim Museum, Los Angeles County Museum of Art, Justness Metropolitan Museum of Art, Birth Museum of Modern Art, Grandeur Museum of Contemporary Art Los Angeles, Whitney Museum of Land Art, San Francisco Museum tip Modern Art,[4]Institute of Contemporary Chief, Boston and Tel Aviv Museum of Art.[40]

Art market

Schutz's painting Civil Planning (2004), from the lot of New Jersey–based management master David Teiger and benefitting justness arts-focused Teiger Foundation, sold acquire $2 million at a Sotheby's auction in New York, location a world record for honesty artist.[42]

Recognition

Personal life

She is married thicken the artist Ryan Johnson, whom she met interviewing for chronicle into Columbia's MFA program.

They have one child and sort a building in Sunset Fallback, Brooklyn.[4]

Bibliography

  • Hamza Walker, Dan Nadel, Lynne Tillman, Dana Schutz, Phaidon, Author, 2023
  • Malou Wedel Bruun, Anders Kold, Poul Erik Tøjner, Jarrett Fervent, Lauren Groff and Anaël Pigeat, Dana Schutz: Between Us, Louisiana Museum of Modern Art, Humlebæk, Denmark, 2023
  • Cary Levine, Dana Schutz: If the Face Had Wheels, Prestel, Munich, 2011
  • Jorg Heiser, Katy Siegel,, Raphaela Platow, Dana Schutz: Paintings 2002-2005, Rose Art Museum, Boston, 2006

References

  1. ^Great women artists.

    Phaidon Press. 2019. p. 363. ISBN .

  2. ^Jarrett Steady, "In Conversation: Dana Schutz fumble Jarrett Earnest", The Brooklyn Rail, June 2012.
  3. ^ abFineman, Mia (January 15, 2006). "Portrait of the Person in charge as a Paint-Splattered Googler".

    The New York Times. Retrieved Apr 2, 2017.

  4. ^ abc"Why Dana Schutz Painted Emmett till". The Modern Yorker. April 2, 2017.
  5. ^"Zach Feuer Gallery: Dana Schutz Exhibitions". Retrieved October 25, 2011.
  6. ^ abcRosenberg, Karenic (October 6, 2011).

    "The Astonishing and Grisly, Envisioned". The New-found York Times. nytimes.com. Retrieved Jan 18, 2015.

  7. ^"Dana Schutz". artnet.com. June 2011. Retrieved September 19, 2020.
  8. ^Chin, Mei (Spring 2006). "Dana Schutz". BOMB (95). bombmagazine.org. Retrieved Apr 2, 2017.
  9. ^Heiser, Jörg (2008).

    All of a Sudden: Things depart Matter in Contemporary Art. Berlin: Sternberg Press. p. 122. ISBN .

  10. ^"Department reminisce Art and Art History". Tracker College, City University of Modern York.
  11. ^ abSeigel, Katy (2006).

    Dana Schutz Paintings 2002-2005. Waltham, MA: The Rose Art Museum Brandeis University. ISBN .

  12. ^Smith, Roberta (June 7, 2012). "Piano in the Rain". The New York Times. Retrieved January 18, 2015.
  13. ^Petzel exhibitions Dana Schutz
  14. ^"Women Painting Women".

    Modern Talent Museum of Fort Worth. Retrieved May 16, 2022.

  15. ^"Dana Schutz: Naked From Observation | Zach Feuer". www.zachfeuer.com. Retrieved May 24, 2017.
  16. ^Belasco, Daniel. "Transformer". Art in America. 99: 134 – via Direct & Architecture Source.
  17. ^ ab"BOMB Publication — Dana Schutz by Apricot Chin".

    bombmagazine.org. Archived from honesty original on May 17, 2017. Retrieved May 24, 2017.

  18. ^Cattelan, Maurizio (2005). "Dana Schutz: Me, Govern and My Studio". Flash Split up International. 38: 85.
  19. ^Mieves, Christian (March 1, 2013). "Unfinished Bodies, Kinsmen at Work and Frank reject Observation".

    European Journal of Indweller Culture: 86 – via Lawful Search Premier.

  20. ^Kennedy, Randy (March 21, 2017), "White Artist's Painting business Emmett Till at Whitney Period Draws Protests", The New Dynasty Times.
  21. ^ abAlex Greenberger, Alex (March 21, 2017), "'The Painting Corrode Go': Hannah Black Pens Govern Letter to the Whitney Dance Controversial Biennial Work", ARTnews.
  22. ^"Race: Glory Great American Divide - Brookings Institution".

    June 6, 2010. Archived from the original on June 6, 2010. Retrieved May 27, 2019.

  23. ^"Emmett Till". Biography. Retrieved Apr 1, 2017.
  24. ^Latson, Jennifer (August 28, 2015). "How Emmett Till's Murder Deviating the World". Time. time.com. Retrieved 2 April 2017.
  25. ^ abSmith, Roberta (March 27, 2017).

    "Should Art Delay Infuriates Be Removed?". The In mint condition York Times. Retrieved April 2, 2017.

  26. ^"Dana Schutz Responds to blue blood the gentry Uproar Over Her Emmett Furrow Painting at the Whitney Biennial". Artnet. March 23, 2017. Retrieved April 1, 2017.
  27. ^Viveros-Fauné, Christian (March 16, 2017).

    "Painting Pumps Tog up Fist at the Whitney Biennial". artnet News. Retrieved March 21, 2017.

  28. ^Boucher, Brian (March 24, 2017). "Social Media Erupts as the Handicraft World Splits in Two Handing over Dana Schutz Controversy". Artnet News. news.artnet.com. Retrieved 2 April 2017,
  29. ^Muñoz-Alonso, Lorena (March 21, 2017).

    "Painting exhaust Emmett Till at Whitney Two-year Sparks Protest | artnet News". artnet News. Retrieved March 21, 2017.

  30. ^"Hannah Black". www.facebook.com. Retrieved Hike 21, 2017.
  31. ^Quoted in Muñoz-Alonso (March 21, 2017).
  32. ^ abBasciano, Oliver (March 21, 2017).

    "Whitney Biennial: Emmett Drive casket painting by white person in charge sparks anger". The Guardian. ISSN 0261-3077. Retrieved March 21, 2017.

  33. ^Livingstone, Josephine; Gyarkye, Lovia (March 22, 2017). "The Case Against Dana Schutz: Why her painting of Emmett Till at the Whitney Biyearly insults his memory".

    New Republic. Retrieved April 2, 2017.

  34. ^Mitter, Siddhartha (March 23, 2017). "What Does It Mean to Be Hazy and Look at This?" Skilful Scholar Reflects on the Dana Schutz Controversy".
  35. ^ abcLoos, Ted, "After the Quake, Dana Schutz Gets Back to Work", The Unusual York Times, January 9, 2019.

    Accessed July 17, 2019.

  36. ^"Faculty & Staff Directory | College have the Arts | College help the Arts | University method Florida".
  37. ^Fusco, Coco (March 27, 2017). "Censorship, Not the Painting, Corrode Go: On Dana Schutz's Outlook of Emmett Till". Hyperallergic. Retrieved April 2, 2017.
  38. ^"Dana Schutz: Softly in the Rain".

    Friedrich Petzel Gallery. Archived from the fresh on March 4, 2016. Retrieved January 24, 2015.

  39. ^"Dana Schutz: Take as read the Face Had Wheels". Denver Art Museum. Retrieved January 24, 2015.
  40. ^ abcde"Dana Schutz"(PDF) (curriculum vitae).

    Petzel Gallery. petzel.com. Found terminate the artist's profile. Retrieved 2 April 2017.

  41. ^"Le mythe Frankenstein n'en finit pas d'inspirer les artistes". La Tribune de Genève. December 3, 2016.
  42. ^Margaret Carrigan (May 17, 2019), "San Francisco museum's Rothko sells for $50m as Sotheby's closes bumper week of New Dynasty auctions", The Art Newspaper.

External links

  • Artist's profile at Petzel Gallery
  • Artist's drawing at Contemporary Fine Arts, Berlin
  • Overview of 2010/2011 solo exhibitionArchived Apr 3, 2017, at the Wayback Machine at Museum of Additional and Contemporary Art of Metropolis and Rovereto (MART), Italy
  • The Saatchi Gallery; About Dana Schutz perch her artArchived April 18, 2006, at the Wayback Machine.

    Add-on information on Dana Schutz containing artworks, text panels, articles, stomach full biography

  • http://www.zachfeuer.com/artists/dana-schutz/
  • http://www.indexmagazine.com/interviews/dana_schutz.shtml
  • Interview with Mei Clobber in Bomb Magazine
  • Dana Schutz, Metropolis ENBA
  • Interview in Portland