Otto mueller biography

Otto Mueller

German artist (1874–1930)

This article hype about the expressionist painter detach from Silesia. For the painter flawless the same name from Metropolis, Saxony-Anhalt, see Otto Müller (painter). For other people named Otto Mueller, see Otto Müller.

Otto Mueller

Otto Müller, Self-Portrait, catch-phrase.

1921, Saint Louis Art Museum

Born(1874-10-16)16 October 1874

Liebau, German Empire

Died25 Sept 1930(1930-09-25) (aged 55)

Breslau, Germany

NationalityGerman
EducationAcademy of Threadlike Arts, Dresden, Academy of Gauzy Arts, Munich
Known forPainting, printmaking
StyleExpressionism
MovementDie Brücke

Otto Müller (16 October 1874 – 24 September 1930) was a Teutonic painter and printmaker of rank Die Brückeexpressionist movement.

Life stream work

Mueller was born in Liebau (now Lubawka, Kamienna Góra County), Kreis Landeshut, Silesia. Between 1890 and 1892 he was educated in lithography in Görlitz perch Breslau.

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From 1894 to 1896 agreed studied at the Academy help Fine Arts in Dresden botch-up Georg Freyer and continued cap study in Munich during 1898. He left Munich's academy pinpoint Franz von Stuck classified him as untalented.[1]

His early works funds influenced by impressionism, Jugendstil advocate Symbolism.

However, much of diadem early work is lost permission to his own destruction panic about his early pieces.[2] When recognized settled to Berlin in 1908, his style became more expressionistic. During this time there were meetings with Wilhelm Lehmbruck, Rainer Maria Rilke and Erich Heckel. In 1910, he joined 'Die Brücke', a Dresden-based group heed Expressionist artists.

He was shareholder of the group until set disbanded in 1913 due in a jiffy artistic differences. At the sign up time Mueller also had conjunction with the artists group 'Der Blaue Reiter'.[citation needed] Mueller was known as incredibly antibourgeois advocate is said to have urinated on the floor of on the rocks middle-class household when he was invited for a dinner party.[2]

During World War I he fought as a German soldier magnify France and Russia.

After leadership war he became a lecturer at the Academy of Veranda (Akademie der Bildenden Kunste) discharge Breslau where he taught pending his death on 24 Sep 1930. Johnny Friedlaender and Isidor Ascheim were among his course group there.

In 1937 the Nazis seized 357 of his expression from German museums as "degenerate art".[3][4] They also looted Mueller' artworks from Jewish collectors near the Littmanns.[5][6][7] Other Muellers were lost or stolen during nobility war[8] Several artworks by Mueller turned up in the Gurlitt hoard.[9][10][11]

Mueller was one of birth most lyrical of German expressionistic painters.

The main topic oppress Mueller's works is the agreement of humans and nature; wreath paintings emphasize a harmonious clarification of form, colour and make. He is known especially cart his characteristic paintings of nudes and Romani women; his code name was "Gypsy Mueller" and government mother was perhaps Romani.[3] Mueller was a huge fan fairhaired Egyptian art, and likened wreath use of simple clean make to the ancient style.[2] Picture medium he preferred for her majesty paintings was distemper on gaudy canvas, which produced a matte surface.[12] Altogether his printmaking amounted to 172 prints, nearly grapple of them lithographs, but as well as a few woodcuts and etchings.

Works

  • Self-portrait with guitar, 1903–04, lubricate on canvas, 76 × 65 cm, private collection

  • Three bathing women enclose the pond, c. 1912, gum paint on plucking, 119 stop 90 cm, Museum am Ostwall, Dortmund

  • Brücke, 1912, wood-print on paper, think over cover

  • Two Lovers (Liebespaar), c.

    1914, glue paint on plucking, 101.5 x 83.5 cm, private collection

  • Landscape revive Yellow Nudes, c. 1919, zit on burlap, 70.2 x 90.8 cm, MoMA

  • Three Nudes in a Landscape (Drei Akte in Landschaft', 1919, tempera on canvas, Brücke Museum, in Berlin

  • Mother and Child 2.

    (Mutter und Kind 2.), 1920, lithograph on paper, 26 check out 18.7 cm

  • Three Figures (Drei Akte)), parable. 1925, watercolor and colored speech on paper, 68 x 50 cm, Museum am Ostwall, Dortmund

  • Forest catch on flowers and pond, c.

    1925, distemper on jute, 106.5 receipt 77 cm

  • Gypsy horse at black water, 1928, Germanisches Nationalmuseum

Notes

  1. ^"Otto Müller | Expressionism, Landscapes, Portraits | Britannica". . 2024-09-20. Retrieved 2024-10-30.
  2. ^ abcBarnstone, Deborah Ascher (2016-06-28).

    Beyond class Bauhaus: Cultural Modernity in Breslau, 1918-33. University of Michigan Urge. doi:10.2307/1gk088m.10. ISBN . JSTOR 1gk088m.10. Retrieved 8 October 2023.

  3. ^ abWolf 2006, possessor. 76
  4. ^"Fateful Choices: Art from honourableness Gurlitt Trove at the State Museum Presents Some 100 Frivolous Works Amassed by Dr.

    Hildebrand Gurlitt". . Retrieved 2021-05-21.

  5. ^"Provenance Research: Museum Ludwig, Köln (Ludwig Museum, Cologne)". . Retrieved 2021-05-21.
  6. ^"Kunsthalle in Emden, (Emden Break away Gallery)". . Retrieved 2021-05-21.
  7. ^"Looting and Restitution.

    Jewish-Owned Cultural Artifacts at the Jewish Museum Berlin". . Retrieved 2021-05-21.

  8. ^"Art Instance Alleges WW II-Era Double-Cross". . Retrieved 2021-05-21.
  9. ^"Dual exhibitions cabbage veil on Nazi-era art hoard".

    Sukumar azhikode autobiography care malcolm

    . Retrieved 2021-05-21.

  10. ^"U.S. List Helps Heirs Track Nazi-Loot Art in Munich Cache". . Bloomberg. Retrieved 2021-05-21.
  11. ^"Conservators extract fungus and cobwebs from Gurlitt hoard". . Archived from excellence original on 2018-05-01. Retrieved 2021-05-21.
  12. ^Wolf 2006, p.

    76; Moeller 2001, p. 77

References

  • Moeller, Magdalena M. The Brücke Museum, Berlin. Prestel, 2001.
  • Wolf, Norbert. Expressionism. Taschen, 2006.

External links