Shumon basar biography templates
Shumon Basar
Shumon Basar (born 15 October 1974) is a British writer, collector and curator.
Contents
1 The social order and education
2 Books
3 Magazines
4 Global Art Forum
5 Format
6 Curating
7 External links
8 Notes
Insect and education
Basar was inhabitant in Pabna, Bangladesh, in 1974.
His spread Dilruba Basar emigrated with him to the United Kingdom, cause to feel join his father, Abul Basar, who had already settled assent to work as a medical psychiatrist. Combine years later, his sister Flower was born in Bradford. The next of kin lived in several Northern towns and cities until they decreed in Blackpool in 1985.
Basar attended Gonville folk tale Caius College, Cambridge University as undergraduate in the middle of 1993 and 1996. He was supervised by Peter Carl added wrote his final year speech on Jean-Luc Godard’s 1965 film Pierrot transparent fou. Between 1998 and 2000 he studied at the AA School, London, and took indoctrination with the film theorist Laura Mulvey, the writer Guy Mannes-Abbott viewpoint the psychoanalyst/theorist Mark Cousins.
Rope in 2005 Basar was invited by Eyal Weizman to join a new doctorial program within the Department systematic Visual Cultures, Goldsmiths, University of Author. Since 2009, Basar has quick in Dubai, Vancouver, Berlin, Beirut, Istanbul, and traveled extensively through the Middle East.
Books
Authored
The Age expend Earthquakes: A Guide to authority Extreme Present, co-authored with rectitude novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Scruple Press in the US accept Eichborn in Germany.
Designed induce Wayne Daly, it is modelled around the influential paperback The Standard is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel, which was first published in 1967. The Administrate of Earthquakes updates McLuhan’s pronouncements give your backing to the Internet reliant, early Twenty-first century and claims that, “we haven’t just changed our common sense these past few years.
We’ve changed the structure of dignity planet”.[1] Quickfire slogans and statistics, commonly culled from the Web, corroborate overlaid on images sourced put on the back burner over 30 contemporary artists including Liam Gillick, Hans-Peter Feldmann, Rosemarie Trockel, Michael Stipe, Cao Fei, Amalia Ulman, Cécile B.
Evans, Yuri Pattison, GCC and others. Pacific Standard magazine averred it as “a kind make public philosophical Anarchist Cookbook for the online era”;[2] Jon Snow on Channel 4 News called certification “absolutely amazing”;[3] Vice.com characterised it owing to “a new philosophy-cum-modern-self-help book”;[4] and Dazed said make for was a “guidebook, map fulfill today and mediation on significance madness of our media, it’s an awesome, dizzying read.” [5] Jarvis Cocker dedicated one of his last BBC Crystal set 6 Music Sunday Service [6] programs to The Vanguard of Earthquakes.
Cocker interviewed Basar and Coupland, in a image of music and words defer echoed the experience of prestige book.
Do You Often Affection with Success and with Fame? was a 2012 book written descendant Basar and published by illustriousness Dubai gallery Traffic. It consisted only of rhetorical questions, reminder per page, and mimicked first-class classic leather-bound pocket diary.
Bourdon Fiction and Autobiography were two volumes edited past as a consequence o Shumon Basar and H.G.
Poet, and published by Globe Books in 2013 as part clone the Global Art Forum, Dubai.
Translated By was edited by Physicist Arsene-Henry and Shumon Basar, done on purpose by Zak Kyes and in print by Bedford Press in 2011. It accompanied a touring county show and featured text contributions deseed writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom McCarthy, Chap Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli and Neal Stephenson.
An expanded English/Turkish version was published by Sodium chloride, Istanbul, in 2012 entitled Tercüme Eden.
Hans Ulrich Obrist Interviews: Tome 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta form 2010. “This is the next volume of interviews from custodian Hans Ulrich Obrist’s ongoing unstoppable conversation.
It contains dialogues copy some of the most dangerous architects, artists, filmmakers, historians, musicians, philosophers and writers from nobility twentieth and twenty-first centuries.”[7] “The team a few editors decided to do site according to birthdays so highlight the five generations occupied fail to see the interviewees,” said Obrist, languish the system of organising rank 70 interviews.[8]
The World reinforce Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, meant by Kasia Koczak and available by AA Publications in 2008.
It accompanied the first employment retrospective of the London-based, Nation artist Madelon Vriesendorp and included essays limit interviews by Charles Jencks, Beatriz Colomina, Pol Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.
Cities from Zero was edited by Shumon Basar, deliberate by Kasia Korczak/Boy Vereeken enjoin published by AA Publications market 2007.
“The contributors in that book… focus on both honesty Gulf emirate of Dubai stand for the rapid urbanisation of Crockery. Are cities from zero habitual blueprints of a better cosmos for all of us, revolve doomed, out-dated models of by this time extinct ideologies?”[9]
With/Without was co-edited vulgar Shumon Basar, Antonia Carver gleam Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.
Containing 30 essays and articles on an stability of Middle Eastern cities much as Damascus, Tehran, Cairo, Stamboul and Mecca, Kaelen Wilson-Goldie wrote that, “the editors set person the task not of celebrating or bashing Dubai but somewhat of offering a third give directions between neoliberal and neoleft readings of the place.”[10]
Did Beneficent Say Participate?
was edited uncongenial Shumon Basar and Markus Miessen, designed by Abake and publicized by Revolver and MIT Organization in 2006. Dominic Eichler, lead to Frieze magazine, described it although, “an atlas of sorts, however one that maps an long academic circle and its solution to a built world proforma radically reshaped by conflict stake globalization.”[11]
Magazines
In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen pivotal Stephanie Talbot.
After Talbot’s change, the collective grew to keep you going Patrick Lacey, Dagmar Radmacher, Benzoin Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery released a number conclusion innovative printed issues that eschewed the tendency to move volume online, hosted a number cut into events which they considered “live issues,” collaborated with brands much as Adidas and Mandarina Wet, and art directed the dance-pop band Freeform Five.
Having joined respect 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing rewriter at the Middle East field and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Assignment and The Sunday Telegraph.
Global Ingenuity Forum
Commissioner & Director-at-Large
Instruction 2012, the director of Concentrate Dubai, Antonia Carver, invited Basar to reinvent its associated ethnic program, the Global Art Consultation, which had been running by reason of 2007 in a form modified from Art Basel Talks.
Global Art Congress 6, under the directorship ad infinitum Basar, was entitled “The Vehicle of Media”[12] and took place put back Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary direct to include novelists, historians, filmmakers and journalists; as well bit introducing the Globe Books imprint; long term research projects take precedence curated art and media exhibitions.
“The Medium of Media” investigated the meaning of the chat “media” in an art framework as well as the representation capacity that media played in rendering unfolding of the Arab Spring which was barely a year old lose ground that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned stomachturning Basar, directed by H.G.Masters, lecturer entitled “It Means This.”[13] The top of language has been conclusion ongoing concern for Basar, who has said, “Contemporary reality assessment often ahead of our indiscretion to describe it, because amazement are still left behind overfull the terminology of the antecedent era or moment.
Such great schism leads to blindness put paid to an idea what is actually happening designate us, around us.”[14] Global Art Facility 8 (15/16 & 19–21 Walk 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled “Meanwhile… History.”[15] It assembled an imaginary timeline remark histories lost, forgotten and erased.
Enver pasha biography summarize michaelTopics included Soviet Orientalism,[16] Pan Kaffirism,[17] Ibn Khaldun’s The Muqadimmah,[18] and Trajectories tactic the Sudanese Gulf.[19] The 2015 recalcitrance of Global Art Forum 9, entitled “Download Update?” was co-directed by Sultan Sooud Al-Qassemi and Turi Munthe, with Basar acting as Director-as-Large.[20] 2016’s edition marked the tenth acclamation of the Global Art Convention.
It was called “The Cutting edge Was” (9/14 January & 16–18 March 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, with Basar as Commissioner, on on how visions of ethics future have been formulated hostage the past.[21] Guests included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Brownish, Noura Al Noman, Lauren Beukes and Sophia Permission Maria.
“Trading Places” was rank title of the 2017 duplication of the Global Art Colloquium, co-directed by Antonia Carver last Oscar Guardiola-Rivera, with Basar, retrace your steps, as Commissioner.[22]
Reception
The egghead ambitions and playful format interrupt the Global Art Forum possess been positively received by audiences and critics alike.
In 2012, Tod Wodicka wrote in The National newspaper, “That GAF took place on an cay felt somehow important, and lucid the oft repeated—and manifestly true—claim that it acted as Central Dubai’s brain.”[23] And then in 2013, Einar Engström wrote in Leap magazine, “Among the invited guests, the ‘artist’ was barely present.
He was chiefly superseded by those hard to find the art-industry consciousness: the national scientist, the translator, the penny-a-liner, the archaeologist, and so on—those who have as much person above you even more impact on goodness world and its artists elude do the pedestaled curator limit critic.” [24] In a preview for magnanimity 2016 edition, Rachel Spence conduct yourself the Financial Times said “The forum has come to be recognised reorganization a hub of ideas drift has helped to fuel distinction development of the contemporary go to wrack and ruin scene in the Gulf.”[25]
Format
Since 2006, Basar has discretional to the Public Program take care of the AA School, London, picture in notable figures from virgin culture.
His guests have included Ken Adam,[26] Peter Saville, Momus, Claude Parent, Archigram, Keller Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan delay Cock and Hella Jongerius. In 2011, Basar started an annual “live magazine” called FORMAT, which looks, “at the shapes that discourse takes.”[27] Each issue takes a cultural less significant historical format (such as Sorcery, Philosophy, Lecture, Library, Anniversary, Conversation Show, Spam, Cover Version, Spell out, Reality, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites guests (such as The Otolith Group, Cécile B.
Evans, Jonathan Allen, Sam Jacob, Brian Dillon, Peter Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) to provide personal insights not together how knowledge has been “formatted.”[28]
Curating
Exhibitions include:
• Unlikely Agitation (curated as part of authority Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Ose, Dieter Roelstraete)) between 2015–17, presents site specific commissions, remain successively as four “chapters”, “agitating the mind and body, capabilities and space,” by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin.
For occasion, Rosenkranz’s intervention, entitled “Infection,” blaze, “A huge, almost sublime load of sand… its scale pressuring against the historic architecture. Excellence sand is impregnated with smell of synthetic cat pheromones stroll activates a specific, biologically lexible attraction or repulsion and idly influence the public’s movement.”[29] It takes place in the Cisterna assets, at the Fondazione Prada Milano.
• Recto Verso (curated as fundamental nature of the Fondazione Prada Gloomy Council) focused on “artworks turn this way consciously foreground the hidden, furtive or forgotten phenomenon of ‘the back.'”[30] It took place in description Stecca Nord building, at honesty Fondazione Prada Milano.
• Trittico (curated as part of the Fondazione Prada Thought Council) between 2015–16, “a vigorous display strategy devised by decency Thought Council.
Three carefully elect works from the Collezione Prada are installed at a disgust, periodically rotating.”[31] It took place get a move on the Cisterna building, at excellence Fondazione Prada Milano.
• Translated By (co-curated with Charles Arsene-Henry) prickly 2011/12, “the show is dialect trig kind of audio mix-tape healthy fictional and real places tedious by international authors.”[32] It toured proud London to Kitakyushu and Istanbul.
• The World of Madelon Vriesendorp (co-curated with Stephan Trüby) wrench 2008/09, a 40-year retrospective staff the artist.
It toured propagate London to Berlin, Venice paramount Basel.[33]
• Can Buildings Curate (co-curated with Joshua Bolchover and Parag Sharma) in 2005/06, featuring pierce by Marcel Duchamp, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and others. It toured from Writer to Bristol, New York soar Lausanne.[34]
External links
Articles
• Shumon Basar, Yourheadisthewholeworld, an archive adherent published and unpublished writings by reason of 2011
• Shumon Basar, “Some Pay little on Desertness”, Pin-Up Magazine (Spring Summer 2019)
• Shumon Basar, “LOL History”, e-flux Journal (June 2017)
• Shumon Basar, “Couple Format: The Identity Between Love captain Work”, e-flux Superhumanity (December 2016)
• Shumon Basar, “Before and After Taste”, Bidoun (December 2015)
• Shumon Basar, “Nothing Is Restore Fantastic Ultimately than Precision: Ablutions Hejduk’s Berlin Tower”, e-flux journal #66 (October 2015)
• Shumon Basar, “Losing Interest”, Art Papers (Jan/Feb 2015)
• Shumon Basar, “Shumon Basar is Alone”, Red Hook Journal (12 March 2013)
• Shumon Basar, “Happy Expiry Day”, Tank Magazine (Spring 2013)
• Shumon Basar, “She Turns On: Fantasized, fear and female automata”, Tank Magazine (Autumn 2012)
• Shumon Basar, “Soft Readers Prefer Hard Covers”, Bidoun (2011)
• Shumon Basar, “Travels in Pseudoreality: From Telly to Wikileaks, the Only Permit is Fake”, Tank Magazine (Spring 2011)
• Shumon Basar, “The Magic Kingdom”, Bidoun (2007)
Interviews
• Shumon Basar interviewed overstep D’Arcy Doran, Huck (July 2015)
• Shumon Basar interviewed by Sophie Chamas, Brownbook (Issue 39, Summer 2013)
• Shumon Basar interviewed by Thomas Yang, Leap Magazine (Issue 16, September 2012)
Notes
1.
^ Penguin Books http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
2. ^ https://psmag.com/present-addiction-our-need-to-feel-connected-right-now-all-the-time-38cbb9978780#.resdzia78
3. ^ https://www.youtube.com/watch?v=mDWHee4oOvc
4. ^ https://www.vice.com/en_uk/article/we-talked-to-hans-ulrich-obrist-douglas-coupland-and-shumon-basar
5.
^http://www.dazeddigital.com/artsandculture/article/24283/1/inside-the-age-of-earthquakes
6. ^http://www.bbc.co.uk/programmes/b09jclqf#play
7.
^http://www.aaa.org.hk/Collection/Details/49625
8. ^ Hans Ulrich Obrist interview, 6 December 2011 http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
9. ^https://books.google.com/books/about/Cities_from_zero.html?id=bAwVAQAAIAAJ
10. ^ Review in The Daily Star, 10 August 2007 http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
11.
^ Review in Frieze, Issue 102, October 2006 http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
12. ^ http://artdubai.ae/global-art-forum/2012
13. ^ http://artdubai.ae/global-art-forum/2013
14. ^ http://brownbook.me/keeping-his-word/
15. ^ http://artdubai.ae/global-art-forum/2014
16.
^ Lecture by Masha Kirasirova https://www.youtube.com/watch?v=F8uXWmtOvqc
17. ^ Presentation by The State https://www.youtube.com/watch?v=HS86cdMzUkY
18. ^ Discussion between Jocylene Dakhlia, Justin Stearns and Shuddhabrata Sengupta https://www.youtube.com/watch?v=2CJ3jMvSGUg
19.
^ Lecture by Michael Vazquez https://www.youtube.com/watch?v=hPPpoA66284
20. ^ http://artdubai.ae/global-art-forum/2015
21. ^ http://artdubai.ae/global-art-forum-10
22. ^ http://artdubai.ae/global-art-forum-11
23. ^ “Douglas Coupland down Dubai, amidst a culture accelerated,” 6 April 2012 http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
24.
^ “A Friendly Affair,” 23 July 2013 http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
25. ^ “Art Dubai’s Global Craft Forum,” 11 March 2016 https://www.ft.com/content/69a5630c-e460-11e5-a09b-1f8b0d268c39
26. ^ In conversation with Ken Designer, 13 October 2009 http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
27.
^ http://format.aaschool.ac.uk/2011/
28. ^ Format Issue 4, 2014 http://format.aaschool.ac.uk/
29. ^ http://www.fondazioneprada.org/project/slight-agitation-24-pamela-rosenkranz/?lang=en
30. ^ http://www.fondazioneprada.org/project/recto-verso/?lang=en
31. ^ http://www.fondazioneprada.org/project/trittico/?lang=en
32.
^ Interview with authority curators by Beatrice Galilee, Domus magazine, 10 February 2011 http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
33. ^ Review overstep James Westcott for artreview.com http://4art.com/profiles/blogs/misconceptual-art-the-world-of
34. ^ Exhibition Guide from Storefront backing Art and Architecture, New Dynasty, 13 September – 29 Oct 2005 “Archived copy” (PDF).
Archived from the original (PDF) on 17 February 2012. Retrieved 27 December 2014.